Do you want to write great dialogue?

Last week, I was working with a very talented young writer on his first book and I noticed he was writing dialogue confidently. Usually I see one or other extremes: either no dialogue at all, or rambling dull dialogue, but he was using it so well to move the story forward. And he’s only 10 years old. Definitely a budding author there.

Personally, I love writing dialogue, but I am always trying to improve so I read a lot of books on the craft of writing. I therefore leapt at the opportunity to take part in the blog tour for The Wordsmiths Guide to Writing Authentic Dialogue by Elizabeth Hurst. And I’m so glad I did.

Straight away it’s clear Elizabeth knows her stuff. And it’s so easy to read – not preachy, just good. I read it on my kindle relaxing on a sun lounger on holiday. And I couldn’t nod off. It gets stuck in straight away with practical insights. Did you know there are six (yes, six!) jobs that dialogue must do? Then you get into subtext: the hidden layer under the scene where the real issues unfold. As for the chapter on what to do if you feel the dreaded “As you know” sneaking in… well, it makes it sound so obvious.

Do I recommend this to anyone wanting to improve their writing, regardless of whether you are published or unpublished? Absolutely. In fact, I’m going to work my way through the whole series (there are 5 books on different aspects of planning, writing and editing). That’s how good this is.

Blurb

Do you lack confidence when writing dialogue for your fictional characters?
Do you want to learn how to make each person have a distinctive voice?

Real conversations wander. Fictional dialogue can’t afford to.

A Wordsmith’s Guide to Writing Authentic Dialogue is a practical, encouraging craft book for fiction writers who want dialogue that does more than fill the page. You’ll learn how to make every exchange purposeful, character-specific, and charged with subtext—without gimmicks, melodrama, or the dreaded “As you know…” exposition.

You will learn how to:

  • build distinct voices through rhythm, worldview, and verbal habits (not quirky spelling);
  • show status and power through questions, interruptions, silence, and topic control;
  • handle tags, beats, and action cleanly so dialogue moves instead of clogs;
  • write conflict that escalates and changes shape (without repeating itself);
  • approach trauma, consent, and emotionally heavy scenes without voyeurism or melodrama.

You’ll also find:

  • short, generic examples you can learn from immediately;
  • focused exercises you can complete in 10–20 minutes;
  • diagnose-and-rewrite case studies (where relevant);
  • checklists: quick bullet points to use while drafting and revising.

If your characters explain too much, sound the same, circle the point, or talk in a void—this guide will give you clear tools to diagnose the problem and rewrite with confidence.

Have the confidence to write dialogue that reflects the best of your characters, and the best of your writing. Pick up your copy today.

About the author

Elizabeth was born and bred in the picturesque harbour town of Whitehaven in the northwest of England, where the long, wet winters moulded her into a voracious reader of fiction to escape the dismal weather.

In 2016, Elizabeth set up her freelance editing and proofreading business, EMH Editorial Services. In 2018, she quit the corporate world and concentrated her energy full-time towards her love of the written word.

Elizabeth has published timeslip novellas (the Lost Souls series) and a stand-alone novel, A Light Shines in Darkness, based on Blessed Angelina of Marsciano. She is also the author of The Wordsmith’s Guides, a series of nonfiction books on the craft of writing.

Elizabeth now lives with her husband in the warm and sunny south of France, where the wine is cheaper than the water, and the cats spend their days hunting lizards and dreaming of the birds that roost on the roof.

Working with an illustrator

I was asked to participate in this book tour and I thought it would be interesting to find out more about how authors work with an illustrator. I’ve worked with various illustrators, graphic designers and cover designers over the years but I’m always interested in other experiences. There’s also an element of personal curiosity as it could have been me on the other side of the story as here’s a random fact: I originally wanted to be a book cover designer and was headed to Art College but changed path.

So over to the author…

This is my third highly illustrated younger Middle Grade book, and each time, I have worked closely with South African illustrator Gerda Smit. 

Gerda found me before I started putting my first book, Mister Mishkins’ Apothecary, together. She followed both my and Mister Mishkins’ accounts on Instagram, and I had a look at her website. I immediately fell in love with her work, especially a book she had done on an otter. Gerda had the animals’ expressions just right, and I knew she was the perfect person to bring my words to life. 

Over time, we have finessed the way we work together. I tend to send her chapter by chapter as a WhatsApp voice note. When Gerda listens, she plays the recording through once and then listens again. As she listens that second time, Gerda draws what she ‘see’s’ as she listens. 

Once she is happy, Gerda sends me her storyboard, and I look at it for my own ideas. Almost always, I love what she has created, but sometimes, there is a key scene in my mind that needs to be seen. We then discuss, and Gerda creates the most beautiful art from her original sketches. 

From the second book, The Magic of Mister Mishkins, onwards, I did the layout for the books myself. This makes it so much easier as I can highlight easily which illustrations may not work layout wise, and we can quickly adapt before Gerda gets to the watercolour painting stage. 

I am incredibly lucky as I have all of Gerda’s original artwork. While she may be in South Africa, through friends coming back and forth to the UK, they have been able to bring the art to me. Gerda tells me that not everyone wants their artwork, which I find incredible! For me, it is part of the journey, the world I have created for Mister Mishkins and now for Nero. The watercolours are A3, and I have them in poster books in chapter order. 

Nero the Hero is a very different book to The Magical Mister Mishkins series. He is a spin-off character, but the story itself had to be different. I couldn’t just repeat Mister Mishkins in dog form! Instead, Nero belongs to a lady called Jean. Her grandson comes to stay for the summer, and slowly, he notices that there is something different about Nero – and Nero’s relationship with his grandmother!

I could never imagine working with a different illustrator now. While Gerda and I have never met, she is a dear, dear friend, and we both get excited about the same scenes. And for Nero the Hero, I even wrote an otter into the final chapter, just as an acknowledgement of how we met. 

The third book in The Magical Mister Mishkins series will be out in September, and both cat and dog will return in 2027! I cannot wait to work with Gerda once more, and to see her breath life into my words. 

Thanks Samantha. Since this is a book tour, I’m going to include a bit more info about the book itself and of course the author also deserves a bit more recognition!

Blurb

Prepare to meet your new favourite superhero as Nero the Hero reveals his secret! 

Nero is no ordinary dog. This miniature schnauzer has a beard, a bark, and a secret. When danger strikes, he transforms into Nero the Hero, a powerful protector with extraordinary abilities.

Alongside his human, twelve-year-old Jack, Nero dives into fast-paced adventures filled with mystery, heart, and just a touch of fun. But when Jack makes a brave mistake and finds himself in real danger, Nero must face his greatest challenge yet to save his best friend alone.

Perfect for readers aged 8-12, this highly illustrated chapter book blends action-packed fantasy with an engaging, accessible style, making it ideal for reluctant readers and confident young bookworms alike. With short chapters and dynamic illustrations, Nero the Hero is a thrilling start to a children’s fantasy series about friendship, bravery, and daring rescues.

Fans of Claude and The Hounds of Penhallow Hall will love this action-filled adventure starring a heroic dog and the boy who believes in him.From the author of the popular Magical Mister Mishkins series, Samantha Mattocks introduces a bold new hero first seen in The Magic of Mister Mishkins. Beautifully illustrated by Gerda.

About the author

Samantha Mattocks is best known for her highly illustrated Middle Grade books in The Magical Mister Mishkins series. Her words have transported readers across all her work to another place, one filled with magic, inspiration, dreams, and more.

An award-winning journalist and author, Samantha lives in Norfolk. She owns The Arabian Magazine, a beautiful publication that celebrates the Arabian horse. She was on MasterChef UK in 2019.

What does an author read on holiday?

I’m always asked by students what my favourite book is, and I always stress I read voraciously and widely, so the answer takes a bit of time, and varies. Having just been asked this question 18 million times in World Book Week, I thought I’d share my last holiday reading pile.

Relaxing reading on holiday image

The Man who Died Twice (Thursday Murder Club #2) by Richard Osman. I just love this series. Am reading them all out of order as I was given a copy of book 3 first. I passed this on to an elderly relative called Joyce (coincidence – how many book characters are there called Joyce?) who lives in a retirement village (double coincidence). I’m pretty sure that copy will do the rounds until it falls apart!

Night Music by JoJo Moyes. This is on audio and the narration is great, but I haven’t finished it yet so no plot spoilers. Listening to it at 1.2x speed. Does anyone else always listen to a slightly faster narration?

Barefoot Britain by Anna McNuff. I’ve heard Anna speak at an Adventure Queens book club event and she’s a bit bonkers which makes for a fun, slightly chaotic trip. I’m officially adopting the phrase “adventure pace” to describe my own sloooow running – it sounds so much more fun than just being ridiculously slow.

Coffee First, Then The World by Jenny Tough. Tough by name, tough by nature. Crikey this woman is impressive! Also an audio book – narrated by Jenny herself which I always find adds an extra connection to the story for me, particularly for non fiction.

Kevin the Vampire by Matt Brown. I’m writing a funny vampire story for kids so this was sort of for research purposes – I wanted to see how “vampiry” chapter books got. I’m not talking blood-sucking monsters, but I wondered if other authors incorporated just a touch of scare. The answer, in this case, is no.

And finally, A Fresh Start at Wagging Tails Dogs’ Home by Sarah Hope. I’m reading this as part of a book tour. I know I normally review kids books, but this is perfect light holiday reading, plus it has dogs, and rescue dogs at that. What more could I want? There is a bit of drama putting the future of the centre in jeopardy and, of course, a romance with a touch of conflict, but for me the absolute stars of the show were the dogs: they were all such big characters, and I felt they were based on real dogs. Then I got to the end of the book and discovered the author’s connection to a rescue centre, so now I’m sure all their back stories are true. Which makes it all the more heartwarming. Then I realised this is Book 3 in a series (it totally stands on its own) so now I’m off to read books 1 and 2. And now I realise I seem to be making a habit out of starting with book 3!

Since this is a tour, I’m going to include a bit more info than the other books above, also, the author is less well known and deserves a bit more recognition!

Blurb

There’s no place like home… Although dog trainer Sally is relatively new to Wagging Tails, the team she works with have quickly become her family and the dogs her friends. But when Andy, the one that got away, turns up for a brief respite from the city, she is at a crossroads. As tempting as a life with him is, she loves her home of West Par, and anyway, she has responsibilities here. Number one on that list is ensuring the dogs’ home stays in business. A developer has been sniffing around wanting to buy the land, and the team is worried. Sally will do anything to save her home and her friends’ livelihoods but the lure of reuniting with her lost love is strong. Is there a way for her to have both?

About the author

Sarah has been dreaming up stories ever since she was a child. She remembers many a family stroll when she’d daydream up her next story adventure.

As an adult, she prefers to write romance novels and novellas with a Happy Ever After ending. She has two main romance series, the Escape To… series that focuses on single mums taking a chance and fulfilling their career dreams as well as finding love, and The Cornish Bakery series, that follows a busy bakery in a beautiful fictional bay in Cornwall.

Sarah Hope lives in Central England with her two children and an array of pets and enjoys escaping to the seaside at any opportunity.

If you’ve ever wished there was a Hitchhikers Guide to the Galaxy book for kids, there is now.

I have a special bookcase for my ‘permanent collection’ – the books I go back to over and over again – and it’s impossible to narrow then down to my absolute favourite (a question I’m asked at every single school visit I do), but for a fun comfort read, I’m going to go with Hitchhikers Guide to the Galaxy by Douglas Adams. I’m sure you know it: “So long, and thanks for all the fish” and the answer is 42 etc; but just incase, in a nutshell, Arthur Dent, in his dressing gown, gets whisked onto a spaceship when Earth is demolished for a hyperspace bypass. Luckily, he has his towel with him.

I vividly recall stumbling across the radio series on my way home from school one day in the 1980s. My dad and I sat in the car outside the house laughing our heads off so it has happy family memories, and it still makes me laugh. I listened to the rest of the series on the radio, then got a copy from the library. My own well-read copy is from 1992.

Lexi's copy of Hitchhikers Guide to the Galaxy

By the way, I also love the 2005 movie version – no book vs. movie arguments from me. It probably won’t surprise anyone, but Red Dwarf is my comfort comedy TV series. I can quote huge chunks from memory. Given this, why I haven’t written a sci-fi comedy is a complete mystery.

Luckily, I don’t have to write one, because Claire Fayers has done it for me. I’m a huge fan of hers and over the past few years have recommended Storm Hound to many young readers. So I was very excited to hear about Tapper Watson and the Quest for the Nemo Machine.

And I was even more honoured to be asked to provide a quote for the cover, and receive a shiny proof copy. If you’ve ever wondered what the difference between a proof copy and a final published book is, this is it. Actually I love the proof cover, but the colour on the final cover really makes it zing.

Photo of a proof copy of Tapper Watson book beside the finished edition.

Anyway, here is what I wrote for the publisher to pick an extract from to use on the cover.

Pack your towel, we’re off on a Hitchhikers Guide to the Galaxy style adventure! As always, Fayers has created a totally unique world, and populated it with a fabulous collection of weird and wacky characters from lobster mobsters to talking plants. It’s fast and funny, with a message on our responsibility for the environment, plus I reckon it’s a great way to start conversations with any young readers trying to understand the devastating impact of dementia.

Lexi Rees review of Tapper Watson

So what did they use? Here it is on the cover!

What do you get when you cross Hitchhikers Guide to the Galaxy with The Northern Lights by Philip Pullman? Tapper Watson. I’m going to put this down for my 2023 book of the year. Enjoy!

Maximising the magic of an author visit

I’ve seen a flurry of posts on various FB groups that I’m in from schools looking for authors to visit for World Book Day (WBD). As an author, it’s our busiest day (or in practice week) of the year. But, like a puppy is not just for Christmas, an author is not just for WBD. We LOVE visiting at any time of the year!

Whilst every school has its own processes for booking and preparing for an author visit, I thought it might be interesting to share a few tips from an author’s perspective on what teachers could do to help the event go smoothly after it has been booked.

Before the Visit

Unless you’ve booked a “big” name (lucky you with the correspondingly big budget!), many of the pupils will likely be unfamiliar with the author. If timetabling permits, some introduction to the the author/ their books can help build excitement. This could take the form of posters around the school, book readings, themed art projects, and classroom discussions. I’ve had students study my website to prepare questions in advance, leading in one case to a discussion on why I hate custard!

Between sessions

We know teachers are frantically busy, but as an author it can be quite daunting to be left to fend for yourself between sessions – it’s a bit like your first day at school: you are completely lost. I’ve had a panic attack about making a cup of coffee in the staff room! Honestly, it’s an absolute minefield – is the coffee communal? Have I picked someone’s special mug? Which milk am I supposed to use?

Outside the staffroom, a classroom assistant or student ambassador to guide the author from classroom to classroom if they are doing a series of events is really helpful. Obviously, check if the author has the necessary Enhanced Disclosure & Barring Service (DBS) approval (in the UK) or equivalent before appointing students to the role.

In your classroom

Please do let the author know if there are any issues within your class that they should be mindful of e.g. pupils where English is a second language, recent family trauma, etc. and be on stand-by to help with any disruptive pupils.

Personally, I like to wrap up any Q&A session with asking a teacher if there is anybody who has had their hand up for a really long time that I’ve missed. Without knowing the pupils, and despite my best efforts, it is easy to miss the quieter child with a half raised hand in a sea of people jumping up and down.

After the Visit

If you do any follow up activities, please do share them with the author! I always try to give positive feedback to pupils who send me stories to read after an event.

Encouraging students to write thank-you notes is not only an exercise in good manners but also a valuable writing exercise, allowing them to reflect on what they learned from the visit. Plus, for the author, receiving personalised messages of appreciation is totally heartwarming!

What would you add to this? Please let me know!